Document type: Checklist Practice area: Intellectual Property—Copyright Jurisdiction: United States (federal) Last reviewed: 5 September 2026
Part 1—Reconstruct the record
Find every grant:
- The client's own files, including unopened boxes.
- Prior counsel's closed files—retention schedules run decades.
- Copyright Office recordation records—frequently the only surviving copy.
- Copyright registration records.
- The grantee's files, requested early.
- Royalty statements, which usually identify the agreement by date.
- Probate files where the author has died.
- Guild, union, and performing rights organization records.
For each document, record:
- Date of execution, and whether it is reliable.
- Parties—did the author sign personally or through a loan-out entity?
- Scope: works, rights, territories.
- Is it a grant? An administration, collection, or management agreement is not a transfer or license and is not terminable.
- Any work-made-for-hire language.
- Any amendment, and whether it constitutes a new grant.
Copyright facts:
Creation date.
Publication date with notice for pre-1978 works—this is when copyright was secured and it drives the § 304 computation.
Registration numbers, original and renewal.
Is it a derivative work? A joint work? A collective work or a contribution to one?
Build a dated timeline per work, marking every uncertain date.
Part 2—Threshold question one: work made for hire
Employee's work—apply the agency factors:
- Payroll, tax withholding, W-2?
- Control over the manner and means of creation?
- Whose tools and premises?
- Ongoing relationship with the right to assign other projects?
- Employee benefits?
- Within the scope of employment?
Commissioned work—BOTH conditions required:
- Does the work fall within one of the nine enumerated categories: contribution to a collective work; part of a motion picture or other audiovisual work; translation; supplementary work; compilation; instructional text; test; answer material for a test; atlas?
- Is there a signed written agreement stating the work is a work made for hire?
Sector reminders:
Film contributions usually qualify under "part of a motion picture." The terminable asset is the underlying work.
Sound recordings are not among the nine categories; the question is whether the artist was an employee, which is doubtful for a featured artist and genuinely unresolved.
Contractor-created software rarely fits an enumerated category—a widely unexamined exposure.
Contract language calling something a work made for hire does not make it one.
If the work is for hire, the matter ends here. Tell the client plainly.
Part 3—Threshold question two: who executed the grant
- Section 203 reaches grants executed by the author.
- Section 304(c) reaches grants executed by the author or specified statutory successors.
- Was the grant executed by a loan-out corporation? Whether § 203 reaches it is contested.
- Was it executed by an heir after the author's death? Section 203 does not reach it.
- Was it executed by a prior assignee?
- For a joint work, note that a grant executed by one co-author terminates only that author's interest, and a grant executed jointly requires a majority of the executing authors.
Part 4—Compute the windows
Section 203, non-publication grant:
- Window opens execution + 35 years; runs 5 years.
Section 203, publication grant:
- Window opens at the earlier of publication + 35 years or execution + 40 years; runs 5 years.
Section 304(c):
- Window opens copyright secured + 56 years; runs 5 years.
Section 304(d):
- Window opens copyright secured + 75 years, where the § 304(c) window lapsed unexercised and the conditions are met.
In every case:
- Notice served not less than 2 and not more than 10 years before the effective date.
- Earliest possible notice = window open date minus 10 years.
- Recordation before the effective date is a condition of effectiveness.
Then:
- Compute every window for every grant.
- Mark each: open / opening within five years / closed.
- Diarize the earliest notice date and the close date for every open window.
- For any closed § 304(c) window, check § 304(d).
- Watch for multiple grants on the same work with different windows and different regimes.
Part 5—The family tree
The statutory scheme, which overrides the will:
- Surviving spouse alone: the entire interest.
- Children and grandchildren alone: the entire interest, per stirpes.
- Both: spouse one-half; children and grandchildren the other half.
- A deceased child's share passes to that child's children and is exercisable only by a majority of that line.
- None surviving: the executor, administrator, personal representative, or trustee.
Collect:
- Death certificates—author and any deceased child.
- Marriage certificate; any divorce decree.
- Birth certificates for every child and grandchild.
- Adoption records—they matter and are routinely missed.
- Probate file, will, and letters.
- Contact information for every taker.
Then:
- Compute each taker's share.
- Confirm who must join to exceed one-half—note that exactly one-half is not enough.
- Approach every taker early; an unreachable grandchild can defeat the termination.
- Where a deceased child's line must act, confirm a majority of that line agrees.
- Paper a takers' agreement: who signs, who advances costs, how the recaptured rights are administered, how proceeds are shared.
- Identify conflicts among family members and arrange separate counsel where needed.
- Explain to any dissenter that a majority may proceed and the dissenter still shares.
Part 6—The notice
Choose the effective date:
- Within the five-year window.
- Not less than 2 nor more than 10 years after service.
- Serve early in the window—it opens the negotiation sooner and leaves room to correct a defect.
- Coordinate effective dates across grants and works so the rights arrive as a usable package.
Required content:
- The statutory basis: § 203, § 304(c), or § 304(d).
- The name of each grantee or successor in title, and each address served.
- For each work: title, author, and registration number if practicable.
- A brief statement reasonably identifying the grant, with its date.
- The effective date of termination.
- For successors: a listing of the persons constituting more than one-half of the interest and the relationship establishing entitlement.
- Signature by or for all terminating parties, with identity and capacity.
Drafting cautions:
- Identify the grantee's current successor—catalogs change hands.
- List every work. A work omitted is not terminated.
- Identify the correct grant where there were multiple agreements and amendments.
- Do not overreach—including works made for hire or grants outside the window invites a challenge to the whole notice.
Part 7—Service and recordation
Service:
- Personal service or first-class mail to the last known address.
- Reasonable investigation to identify the correct grantee or successor: corporate records, Copyright Office recordation, industry sources.
- Serve every grantee and successor identified.
- Retain proof of service.
Recordation:
- File with the Copyright Office before the effective date—a condition of effectiveness.
- Include the cover sheet, fee, and a statement of the manner and date of service.
- Do not wait. Processing takes time; a notice recorded after the effective date terminates nothing.
- Retain the recordation certificate.
- Diarize the effective date and confirm recordation well in advance.
Part 8—Model what actually reverts
- Reverts: United States rights in the identified works, prospectively, in the proportions the takers hold.
- Does not revert: foreign rights; any claim for past exploitation.
- Derivative works exception: works prepared under the grant before termination may continue to be utilized under the terms of the grant.
- The Mills Music, Inc. v. Snyder, 469 U.S. 153 (1985) consequence: existing derivative works keep generating income under the original grant's royalty splits.
- Inventory every derivative work—films, recordings, translations, adaptations—with dates, and estimate what share of income they represent.
- Newly available: the right to authorize new derivative works to anyone after the effective date.
- Give the client an honest number before any negotiation begins.
Part 9—The regrant window and the negotiation
- Understand the rule: a further grant is valid only if made after the effective date—except a further grant to the original grantee or its successor, which may be made after the notice is served.
- Author's side: develop credible alternatives for after the effective date, since only the incumbent can contract now.
- Grantee's side: recognize this exclusive window is the most valuable thing the statute gives you, and do not spend it on a formalities fight.
Typical resolutions to model:
- Amended agreement with improved royalty rates.
- Partial reversion—some rights back, some retained.
- A payment.
- Shorter term with a defined further reversion.
- Continued administration by the incumbent.
Part 10—If the rights actually revert
- Confirm the recordation and the reversion in Copyright Office records.
- Notify collecting societies, performing rights organizations, and administrators.
- Update registrations and split information.
- Establish administration: self-administer, appoint an administrator, or grant to a new party.
- Address foreign rights fragmentation—the incumbent retains them and coordination requires an agreement.
- Account for the derivative works income stream, which continues under the old arrangement.
- Document the arrangement among the family.
Part 11—The grantee's defensive checklist
Work in order; several items are dispositive.
- Work made for hire? If we are the statutory author, there is no grant to terminate.
- Executed by the author? Check loan-outs, heirs, prior assignees.
- Correct regime? Determined by execution date, not creation date.
- Correct computation? Execution date, publication date, window open and close, effective date within the window.
- Timely? Two to ten years before the effective date.
- Required content present? Basis, grantee, works with titles/authors/registrations, grant identified, effective date, majority listing and entitlement.
- Recorded before the effective date?
- Do the signatories hold more than one-half? Build the family tree independently.
- Which works are covered? Omitted works are not terminated.
- What does the derivative works exception preserve? Inventory each work, when prepared, under what authority.
- What foreign rights are unaffected?
- Is the defense an outcome or leverage? A defective notice can be cured in an open window; usually it is leverage.
Part 12—Catalog exposure audit (grantee side)
- Build a schedule of every grant: work, author, execution date, regime, window open, window close, earliest notice date.
- Flag every grant whose earliest notice date has passed or arrives within five years.
- For each flagged grant: work made for hire? likely takers? value?
- Diarize every date. A notice should never be a surprise.
- For high-value works, consider approaching the author or family proactively with improved terms before a notice is served.
- Maintain a derivative works register: what was prepared, when, and under what authority.
- Assign an operations owner; the audit is a project and maintaining it is a job.
Part 13—If the window has closed
- Re-verify the computation—execution date, publication date, and which of the two § 203 triggers applies.
- Check whether an amendment constitutes a new grant with its own window.
- Check for separate grants on different rights; one may be open.
- For a lapsed § 304(c) window, check § 304(d).
- Check the rest of the catalog; windows arrive in sequence.
Other leverage:
Audit rights in the grant—usually present, rarely exercised, frequently productive.
Contractual reversion clauses—out-of-print, minimum sales, failure to exploit.
Scope limits—whether a decades-old grant reaches rights that did not exist when it was signed.
Territory and term limits.
Breach—failure to account, exploit, or pay.
Tell the client plainly what happened and what remains.
Build and diarize the schedule for every remaining grant, in a place that survives the current advisers.
Related documents
- Copyright Termination and Reversion: Sections 203 and 304 and Taking Back a Grant
- Exercising or Defending a Copyright Termination: A Practical Guide
- Termination Rights Toolkit: Notices, Recordation, and Successor Agreements
- Music Licensing in the Streaming Era: Mechanical Royalties, the MLC, and Direct Licensing Deals
- Producing a Film or Series: Rights, Talent, and Distribution Agreements
- Copyright Fair Use Checklist: A Practical Checklist
This checklist is general information, not legal advice, and does not create an attorney-client relationship.
