Intellectual Property Insights

Analysis and practical guides on intellectual property.

265 articles, checklists, and guides on intellectual property law, written by the attorneys at MC Law. Every piece is general information, not legal advice — for a specific matter, contact the firm.

Showing 181–192 of 265
Intellectual PropertyTrademark Litigation

Second Circuit Appellate Standards in Trademark Cases: A Practical Guide

On appeal, the standard of review often matters more than the merits—it fixes how much deference the appellate court owes the decision below, and that frequently decides the case before anyone reaches the argument on the law. This guide explains, in plain language for lawyers and business owners alike, how the United States Court of Appeals for the Second Circuit reviews trademark cases. It sets out the three core standards (de novo for legal questions and summary judgment, clear error for fact findings after a bench trial under Rule 52(a), and abuse of discretion for discretionary rulings), maps the appealability rules that govern when a trademark ruling can be challenged, and works through the most important and most misunderstood question in trademark appeals: how the likelihood-of-confusion determination and the individual Polaroid factors are reviewed. It recovers the historical de novo-versus-clear-error split the circuit resolved in Bristol-Myers Squibb, shows why the very same confusion question is reviewed three different ways depending on procedural posture, dissects the demanding clear-error standard, surveys abuse-of-discretion review of injunctions, fees, and evidentiary rulings, explains preservation, harmless error, and what a remand actually buys, and closes with a worked example, a side-by-side playbook, and an FAQ.

Casey Scott McKayNovember 23, 202441 min read
Intellectual PropertyCopyright

Understanding Copyright Registration for a Song: A Comprehensive Guide for Bands

Every recorded song contains two distinct copyrights -- the musical work (the underlying composition of notes and lyrics) and the sound recording (the master that captures a particular performance) -- and each must be registered separately with the U.S. Copyright Office. This guide explains who owns what when a band creates a song, including how members become joint authors under 17 U.S.C. 201(a), how session musicians and producers fit in, and why work-made-for-hire status matters and so often fails for music. It walks step by step through registering both copyrights through the eCO system, covering the single application, standard application, the modern group-registration options (the GRAM option for albums and the group option for unpublished works), preregistration for works still in production, deposit requirements, and fees. It explains the concrete legal payoffs of timely registration -- registration as a prerequisite to suit under 17 U.S.C. 411 after Fourth Estate v. Wall-Street.com, eligibility for statutory damages and attorney's fees under 17 U.S.C. 412, and access to the Copyright Claims Board. Finally, it covers band agreements, split sheets, sampling and interpolation clearance, the royalty pipeline (PROs, the Section 115 blanket mechanical license and the MLC, and SoundExchange), and provides a worked example and an action checklist.

Casey Scott McKayOctober 26, 202454 min read