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Understanding Copyright Registration for a Song: A Comprehensive Guide for Bands

Every recorded song contains two distinct copyrights -- the musical work (the underlying composition of notes and lyrics) and the sound recording (the master that captures a particular performance) -- and each must be registered separately with the U.S. Copyright Office. This guide explains who owns what when a band creates a song, including how members become joint authors under 17 U.S.C. 201(a), how session musicians and producers fit in, and why work-made-for-hire status matters and so often fails for music. It walks step by step through registering both copyrights through the eCO system, covering the single application, standard application, the modern group-registration options (the GRAM option for albums and the group option for unpublished works), preregistration for works still in production, deposit requirements, and fees. It explains the concrete legal payoffs of timely registration -- registration as a prerequisite to suit under 17 U.S.C. 411 after Fourth Estate v. Wall-Street.com, eligibility for statutory damages and attorney's fees under 17 U.S.C. 412, and access to the Copyright Claims Board. Finally, it covers band agreements, split sheets, sampling and interpolation clearance, the royalty pipeline (PROs, the Section 115 blanket mechanical license and the MLC, and SoundExchange), and provides a worked example and an action checklist.

Casey Scott McKayOctober 26, 202454 min read